Harry Potter Copyright and FanFic

As a follow up to Charlie's post on Harry Potter's publishers pursuing what they view to be copyright violations, take a look at this piece in the Boston Globe from the Sunday Magazine of 6/25/03, "Taking Liberties With Harry Potter" by Tracy Mayor.

Mayor explores the copyright issues --and copyright holders responses-- to the extensive fanfic stories and WWW sites that have emerged around the world and characters of Rowling's Potter novels. (A shorter piece on the same topic, "Harry Potter and the Copyright Lawyer," by Ariana Eunjung Cha appeared in the Washington Post on June 17. Cha's piece, in its penultimate paragraph, mentions the work of the Creative Commons, and that many of the fanfic authors assert a creative commons copyright on their work.)

Some interesting things:

  1. In both pieces, its made clear that, according to Rowling's agent, the author doesn't want to go after fanfic sites per se. Cha gets the better quote:

    Rowling has unofficially sanctioned some fan-fiction sites by leaving them alone. To many of those that feature adult material, however, her agents have sent sharply worded cease-and-desist letters.

    The author is "flattered by genuine fan fiction," said Neil Blair, an attorney for the Christopher Little Literary Agency, which represents Rowling. But she has been alarmed by "pornographic or sexually explicit material clearly not meant for kids."

  2. Further, both pieces also note that Warner Bros (movie and merchandising rights) Scholastic, and other stake holders in the Potter franchise don't want upset the fanfic base. These are people who see the movies multiple times, buy multiple copies of the book, and buy mugs, and other Potter related paraphenalia.

But what's also interesting, apart from the response of Potter copyright holders, is the awareness of copyright and the role of fanfic writers to the original. The Boston Globe piece in particular gets at this, noting that fanfic authors are very careful to distinguish "the canon" -- Rowling's work -- from "the fanon," work by fanfic writers.

Both pieces conveyed, I thought, the care with which fanfic writers form a community, obey rules and conventions that make sure to honor Rowling's work and to respect the ingrity and saleability of her work, to honor their own work among one another, and originality within the universe of their derivative creations.

The Globe piece offered a telling analogy. Potter for fanfic writers is like object-oriented programming. The original is demarked and clarified, but the variations and extensions of its parts, elements and characters from the world it creates, are there to be explored.

But most of all, when you think of all this, what you find is that by writing so fervently, fanfic authors are really very active readers.

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cel4145's picture

Fanfic is a plus!

"But most of all, when you think of all this, what you find is that by writing so fervently, fanfic authors are really very active readers."

And very active promoters. I always wondered why Paramount didn't provide Trekkies plenty of promotional images to use with their ST sites as a compromise, instead of completely alienating a large part of their fan base.

Charlie
cyberdash

platypus matt's picture

Problems with Corporate Greed

I think the problem here is that, in America, we are presented with corporate myths instead of religious or cultural myths. Take Mickey Mouse--he's obviously much more to the average American than a syndicated cartoon. I think once an image reaches a certain level of ubiquity in the popular imagination, it should be liberated from copyright restrictions. Just imagine if Microsoft owned Jesus and tried to enforce copyright everytime someone painted a picture of him or claimed to see him at a non-Microsoft sponsored event.

I think the idea of preventing people from using a set of images, themes, or characters for non-private uses is particularly offensive, and reveals just how ugly and mutated corporations have become. I can't imagine even the most arrogant of authors taking time out to attack some kid's website built around her novels. The problem is that these copyrighted shows and characters are probably some of the most formative myths ever presented to these kids.

For example, I literally grew up on science fiction. Now I'm supposed to refrain from artistic expression of this childhood for fear of "cease and desist" orders from Paramount?