It's not the first time that Elsevier has been thought to be unfairly overcharging for online access to journals. The Scientist reports that
Researchers at the University of California, San Francisco (UCSF), have written a letter asking their colleagues worldwide to boycott all journals published by Cell Press—including Cell, Molecular Cell, and Neuron—to protest the high price of electronic access. The Scientist.com.
In the letter, Peter Walter and Keith Yamamoto write that Elsevier, owner of Cell Press, is asking the University of California for an additional $90,000 per year to provide electronic access to the six Cell Press titles—when the university already paid Elsevier $8 million for online access to its other journals in 2002 alone.
Elsevier has responded to the boycott, citing that "the quote breaks down to roughly $1.50 per top quality journal per year for each active user within the UC system. This is an excellent value." $1.50 per user? An excellent value? To whom? Elsevier, perhaps.
Meanwhile, this is why I cannot understand why the journal of my field, Computers and Composition, which addresses frequently within its pages issues of digital access, uses Elsevier as its publisher. Nor why it has not moved to publishing online.
Thanks to Open News Access for referring me to this issue.



C&C
I'm not speaking for the journal, but as I recall, Computers & Comp is published in print for a rhetorical effect--namely, to show that the field is serious enough computers & writing to bear the burden of print publication (like other "real" fields and subfields). A lot of departments probably wouldn't accept online publications towards hiring, tenure, and promotion decisions, so C&C became a sort of patch to let computers & writing professionals stay ahead in backwards times.
As for this latest example of capitalist extortion; I say, it's great. As long as we keep publicizing and condemning these abuses by the capitalist publishing industry, the sooner we'll see people removing their lips from the poisoned suckbottle of a profiteering industry and switch to the wholesome breast of open content!
re: C&C
"Computers & Comp is published in print for a rhetorical effect--namely, to show that the field is serious enough computers & writing to bear the burden of print publication"
I agree that this is a valid argument historically, when the journal was first established. But that argument becomes less vaild every day and should be readdressed in light of the following considerations:
Great Points
cel4145--You have definitely made some irrefutable points. You're absolutely right; Computers and Composition should have switched to an online format already. Where do I sign?
re: Great Points
I'm not sure that it should have already. For instance, the Public Library of Science Initiative has really gained momentum in the last year.
But yes. It's time to consider change. I only wish I knew where I sign (sigh).
Re: C&C
Thanks for this great story and followup discussion.
I'm not convinced that "Ethos has already been established by having the journal in print." (cel4145 is Charlie, right? Hi Charlie.) Maybe it has been established within the C&C, C&W, and TechRhet communities, and possibly within Rhetoric & Composition more broadly, but don't most Deans, Provosts, and Tenure & Promotion Committees still look to print publications as evidence of scholarship?
On some campuses, the disciplines of rhetoric, composition, and writing studies still struggle to achieve some level of acknowledgement even as disciplines, much less have their journals recoginized as credible.
I'm not saying that it should be that way, but excluding self-selecting and early-adopting communities, it might be that way.
Just a thought.
Cheers,
Michael
Re: C&C
Yes, it's me, Charlie :)
No doubt that there are advantages to print journals in terms of tenure and promotion. Nevertheless, I would love to see serious discussion from the community of C&W and TechRhet people about alternatives. For example, adopting Open Access policies.
Tenure
What's it like out there as far as tenure, hiring, promotion, and web publications? Are decision-makers still thinking in terms of, "Well, that's not scholarship; anybody can throw anything up on the web"?
The reason for publication
For two years on NCTE's Executive committee, I participated in numerous subcommittee discussions regarding the role and purpose of academic journals. As in all publications, there's a tension between author needs and reader needs. My sense of most academic journals is the weight generally comes down on the side of author's needs: tenure and promotion are regularly cited as a major function of journal publishing. Then, working with the assumption that deans and faculty tenure committees are all curmudgeons, the most traditional format gets argued for because you can't change 25 years of tradition (or whatever it is).
One effect of this drumbeat for credibility is that few journals in Rhet/Comp show any interest in the working composition teacher's needs. Community college faculty teach most of the composition in United States higher education, but since they don't need to publish in peer-reviewed journals to get tenure, they don't often write for them, and most of the journals do not see this majority of the members of the field as the audience for their publication.
Electronic publication has the possibility of making authors more aware of the breadth of audience for research and scholarship in composition--and it could lead to more weight being given readers' needs than to authors' needs.
Personally, I think the perceived needs of university tenure candidates should not drive journal publication policies as much as they do.
Sadly...
Yes.
... But I don't think this is malicous or planned. Each year, new students need less and less ramp-up time to get right into blogging culture or web design, but the tenured faculty don't progress at nearly that speed. The burden is on us to make sure we are communicating clearly about what we do.
Sounds like a good CCCC Roundtable
There's aleady a good title: "The Drumbeat for Credibility: Disciplinary Ethos in Rhetoric & Composition Publications."
I can imagine:
* A moderator versed in the issues
* A newish professor, looking at the tenure process
* A tenured prof who has published in print and online and counts both on her vita
* An Open Source advocate
* A Curmudgeon
* An NCTE or C&C rep (or both)
* A publisher's rep
People would come to hear this.
Just a thought.
Michael
Great Idea
I'd love to see this thing filmed and made available online! :-) I wonder what the curmudgeon would say other than the simple pragmatics that are doomed anyway. These curmudgeons are really just cronies of a capitalistic publishing company anyway. Have you seen the way the publishing companies court faculty at C's? Yeah, I'll give you all a "free dinner," but you'd better assign our $75 new rhet/comp book to all your classes next year.
I always think it's funny to hear people touting that nonsense about there not being any money to be made in higher education, then see the textbook publishers' skyscrapers in NYC. It's about time we severed this link to disinterested and even parasitic business and took matters into our own hands--online publishing is an obvious way to accomplish this.